THE 2-MINUTE RULE FOR ORDER PHOENIX TEARS 0 30

Notions of looking and voyeurism are addressed spatially and architecturally in “Very good For Me.” Within this series, swooping lines make a style of peephole effect that reveals Mundt in two distinct poses: adopting the posture of Toulouse-Lautrec’s product and tugging at her belly. This gesture, which appears in other paintings from the ex